
On the exterior, dilapidated concrete stairs were replaced with new board-formed concrete stairs and steel detailing paying tribute to Doyle’s work on the interior. The main entrance was shifted away from the performance space to maximize the spectator area. A sleek black zinc shroud was introduced to welcome visitors to the interior.
At the front of the building, the original expanse of glass was replaced with a 12-foot-high operable glass wall, allowing the main performance space to transform into an indoor/outdoor amenity. The whereabouts of the original multi-colored chandeliers inside the large storefront are unknown, thus, a local glass blower was commissioned to re-interpret the pieces.